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How to hang pictures at home
Hanging pictures, much like painting them, is a balancing act of spacing, colour and proportion. As any gallerist, curator or interior designer knows, the way art is displayed is crucial and transformative, non but to the space it is in, but to the feeling given off in the pictures themselves.
Simon Upton
While what we have on our walls is important, the key to art looking good is more about how to hang pictures than what we choose. A Picasso masterpiece can await equally good as a cluster of affordable prints, and so long equally you lot know how to conform art on a wall. We're even addicted of using books of prints equally sources, and you can see a beautiful example of this in 1 of our favourite ornament shoots here. Nicky Haslam did the same in his famous Hunting Lodge: 'Behind the bust of Marie Antoinette is a group of sepia engravings of One-time Chief drawings. The whole lot toll about a fiver; but I framed them up "k" in rubbed golden.' If it'south good plenty for Nicky... We've canvassed the professionals to go all the tips and tricks you need to know how to hang fine art, no affair your budget or cognition.
Using the infinite
Recollect about the practicalities of the room. A pocket-size picture can exist lost on a large wall, while a more substantial artwork could dominate a room. Freddie de Rougemont, a specialist in the Sometime Masters Group at Christie'due south London, advises, 'The impact of an artwork, still g, can be greatly reduced if information technology is unsuited to the space.'
Consider what will surround the artwork and how the low-cal will fall in the room during the mean solar day. Do you lot want the fine art to exist the focal point, or would y'all prefer it to be placed more subtly? Bear in mind sight lines and what you want to meet first when you enter the room.
Don't be afraid to hang a picture somewhere surprising. As David Macdonald, caput of Sotheby'due south Great britain single-possessor sales, notes, 'The relationship you have with a piece should be central: the decoration around information technology secondary.' Contemporary pieces tin can look brilliant in traditionally decorated rooms and vice versa.
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How to conform pictures on a wall
Equally a dominion of thumb, hanging pictures at eye level is a safe option. This generally means positioning the picture so its midpoint is 57-lx inches from the floor, depending on the ceiling height of the room – and your height, of course.
Obviously, as with whatsoever dominion, some flexibility is necessary – you may have other artworks to manoeuvre around, or an inconveniently placed mantelpiece. If the flick's midpoint is not exactly at eye level, don't panic: become with your instincts and hang it where information technology feels natural. In fact, Freddie advises against using record measures at all and suggests 'trusting your eye'.
What if you are hanging several pictures? 'It's by and large sensible to hang your largest motion-picture show get-go and work effectually information technology,' says Freddie. Visualise how you want the completed wall to look and play around with a few arrangements laid out on the floor before you lot start to make any holes in the wall.
Things to avoid
Never position a picture in direct sunlight, as this will impairment it irreversibly. This is especially important for works on paper, only applies to all artwork. The interior designer Martin Brudnizki suggests using picture lights, such as those past Hogarth Lighting or TM Lighting, to illuminate primal pieces. Spotlights and angled ceiling lights work well, also.
Art advisor Arianne Piper says, 'No glass will safeguard from direct sunlight, but consider UV-protected glass for art in frames.' Museum glass is preferable but expensive.
Recollect most the weather condition of the room. Due to their humid and hot environments, kitchens and bathrooms are not always platonic places to hang art. Similarly, higher up a radiator or fireplace might not exist the best spot.
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To DIY or enlist a professional?
Using the services of a professional film hanger is a worthwhile investment. They can hang a huge number in a twenty-four hours and you can exist sure that each and every one will be hung perfectly, with no unwanted holes or markings on the wall.
However, if you are itching to become the hammer and nails out, exist certain to have a spirit level to paw, or a laser spirit level, which volition allow for extra precision. Luke Duncan, acquaintance director at Cristea Roberts Gallery, SW1, says, 'Don't hang your picture on string or wire. It'south improve to work a bit harder at the start with a spirit level and then install your picture direct on two hooks or screws.' Cord or wire will not fully support the picture and, as the moving picture tin move around, it will rarely sit down perfectly straight.
Luke also points out that, 'Heavy works should always be hung by a professional. If you tin can't carry it yourself, don't try and hang it yourself.'
Creating a salon wall
Originating in 17th-century Paris, the salon wall – a wall on which a number of pictures of varying mediums and sizes are hung adjacent to each other – has had something of a renaissance in recent years. Y'all need only look to the Royal Academy Summer Exhibition for a lesson in vivid salon-mode hanging.
When planning a salon wall, lay out all your pictures on the floor first, to see how they piece of work together and go an idea of spacing. Call back, y'all will need to interruption the line of the wall, so avoid hanging pictures in neat rows every bit this looks dull.
The selection of fine art should not be as well carefully considered only feel every bit though information technology has been collected over many years. As John Swarbrooke, specialist in Impressionist and Modernistic Art at Simon Dickinson gallery, SW1, notes, 'Balance is key – combine monochromatic and colourful pictures, abstract and figurative works, older and contemporary pieces.' This helps the hanging to feel natural. Make sure the frames look expert together, otherwise this tin can distract from the artwork.
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How to hang a picture - tricks of the trade
If you have bespoke walls or precious wallpaper, Arianne recommends installing an invisible hanging organization. These peachy railings mean y'all avoid drilling into the wall and causing damage. Acme Rock has a proficient, affordable range; the J Track system is ideal for heavy works.
When information technology comes to DIY hanging, Chloe Ballin of Sims Reed Gallery, SW1, says, 'Rules are made to be broken. We love the hanging at Kettle's Yard in Cambridge, where there are pictures hanging at all sorts of heights, including footstool height and centre level for children. Why not rehang every once in a while to create new space and refresh the room.'
For a marking-free wall, John advises using Post-it notes rather than pencil to mark out the edges of the picture frame and where you plan to place your hooks
House & Garden's Tried-and-Trusted Hangers
Arianne Piper ariannepiper.com
ADi Solutions groupadi.com
Hang My Art hangmyart.co.uk
Martinspeed martinspeed.com
Jacek Lojek (in-house at builders/decorators Lethbridge London) lethbridgelondon.co.u.k.
How to hang fine art
Christopher Horwood
What was once a ix bedroom bedsit has been transformed past Natasha Howard, the designer behind Instagram's 'Philamena', into an elegant and inviting family home. Natasha made the near of the owners' art collection, creating a gallery wall higher up the master bedroom's fireplace, which she institute on eBay. The antique beat chair came from Ardingly Antiques Fair.
Simon Bergström
For a casual, informal look, designer Sebastian Bergström has stuck botanical prints to the tiles in his apartment's bathroom, as well equally propping framed pictures upwards on the shelf that runs along the meridian of the panelling.
Martin Morrell
A mix of modern British and contemporary art hangs above the antique sofa in the home of Mark and Georgie Rowse.
The art above the sofa in Angelica Squire's house is past the painter Marina Anaya, and consists of four pieces joined together. Its size sits well within the proportions of the space, and anchors the dining area in an open programme room.
Paul Massey
After a determined search for a business firm in Kent that satisfied her love of Georgian architectural features, interiors doyenne Katharine Howard made total use of her insider knowledge to complete its ornamentation. The family unit room has walls in 'Jonquil' pink by Edward Bulmer Natural Paint - a lovely setting for a classic gallery wall filled with mismatched frames and pictures of varying sizes.
Michael Sinclair
Anthony Collett'southward own London house combines the warmth and colour of his collected objects with the passion for craftsmanship that defines the work of Collett-Zarzycki, his multi-disciplinary design partnership. In the bathroom a painting by the creative person David Champion hangs to a higher place the salvaged bath installed by the Colletts when they moved in almost forty years ago, and more artworks are placed atop the panelling.
Lucas Allen
The painting at the entrance to the main bedroom suite in a Long Isle Farmhouse by Veere Grenney is by Francis Picabia. The nighttime wooden frame works with the feel throughout the rest of the house and serves to emphasise the striking artwork within.
Paul Massey
The owners of Ashby Manor House used paintings past ethnic Australian artists to add color to this double-pinnacle space – Emu Dreaming at Alhalkere 2007 by Kudditji Kngwarreye is seen on the upstairs landing.
Owen Gale
Every bit of wall infinite in Violet Dent'southward flat has been used to display pictures, prints and paintings soured from all mode of places. There is no rhyme or reason to it, information technology's simply a gloriously eclectic gallery wall across the entire apartment.
Simon Brown
'Almost annihilation tin can await good when it is framed well,' says designer Nicky Haslam. 'I frame annihilation that appeals - postcards, letters, maps; everything simply photographs. If I buy a small original of a motion-picture show, I'll frame a reproduction also to brand a pair if necessary. Backside the bust of Marie Antoinette in my sitting room (pictured) is a group of sepia engravings of Old Primary drawings. The whole lot cost about a fiver; just I framed them up "grand" in rubbed gold.'
Simon Upton
Densely hung paintings and prints - along with article of furniture on a big scale - gives a sense of timeless character in Keith McNally's Notting Hill habitation. To increase the flow of space in the Balthazar eatery owner's space, the large ground-floor living room was created out of several smaller rooms.
Rachel Whiting
The artist owners of this London business firm called on interior designer Beata Heuman to create a family home full of fun, distinctive design and punchy colours. A highly original space, unapologetically theatrical and oozing free energy. 'The owners are both artists. They have quite wild tastes and they dearest strong colours,' says Beata.
The drawing room is a comfy infinite for watching television in the evening. Warm pink walls in Dulux '90RR 52214' are the perfect backdrop for the Walton Ford prints. 'They appear to be naturalist illustrations, merely if you lot look closely, they are trippy and quite naughty,' says Beata.
Michael Sinclair
In their Twickenham dwelling, Lady Wakefield and her late husband Peter decided to motility the drawing room up to the showtime floor. Here, they created a comfy space with panelled walls and purposely unmatched furnishings that mix well with paintings and objects acquired over the by three decades. The sofa is strewn with a cosy collection of needlepoint cushions.
Ngoc Minh Ngo
Every room in all of the 9 residences and public areas at the Playa Grande is different, and each is painted in what Celerie calls, 'faded bathing-adjust colours', and layered with art, objects and vintage furnishings every bit this decoration detail proves.
Rachel Whiting
A grid formation is a dandy manner to display multiple works from the same serial of pictures. In this hallway by Business firm & Garden'south Gabby Deeming, the walls have been painted with green Farrow & Brawl emulsion. This is the platonic canvass for a display of drawings of flowers by Lucy Auge. The striped chair is a witty touch.
WALLPaint, 'Arsenic', £39.50 for two.5 litres estate emulsion, from Farrow & Ball. Ink on paperartworks, 500 Flowers, 29 x 21cm, £forty each, by Lucy Auge. Aluminium A4 pictureframes (blackness), £3 each, from Tiger.
Article of furniture Cotton- and silk-covered chair with mid-mahogany-finished legs, 'The Cub Chair' (damascus stripe), fourscore x 51 ten 59cm, £3,570 as shown, from Soane.
Paul Massey
A gear up of botanical prints creates a striking backdrop to a vignette of objects on a table at Rita Konig's farmhouse.
Paul Massey
A collection of pressed plants of 'herbaria' is framed and displayed on the wall underneath the stairs in architect Jonathan Tuckey's Swiss chalet. Try your hand at framing dried herbs, blooms and fronds against dark-brown card for a similar effect using a flower press from Crocus, which costs £29.99.
Simon Brown
This graceful cartoon room in the Cotswolds is blessed with calorie-free thanks to a large bay window overlooking the garden. Builder Robert Hardwick designed the panelling, which is painted in Farrow & Ball'southward 'Sometime White'. Antique textiles and paintings enhance the airy feel. The house in its present class is only xx years old, the issue of hard work and imagination on the part of the owners and Robert, who is an practiced in Costwolds colloquial.
Paul Massey
Elegant gold-framed portraits make a stylish contrast with the sleek white walls in this newly built Yorkshire house designed by Tom Brooksbank.
Simon Upton
The possessor of this 1830s London house wanted information technology to be restored to its original style, which interior designer Max Rollitt achieved by retaining its idiosyncrasies and, including the original dentilled cornicing in the hallway illuminated by an 'Original Globe' lantern from Jamb (available in 2 sizes; the smallest measures 57.2 x 40.5cm diameter and costs £2,640) and walls full of pictures.
Paul Massey
A various mix of artworks covers one wall of the owner'due south bedroom in this colourful Chelsea maisonette. Frames of different colours and sizes add to the eclectic appeal.
Big-scale photographs with white frames draw the eye, without detracting from the sleek experience of this modern living room in Audrey Carden'due south London house.
Paul Massey
Rita'southward walls are an eclectic mix of framed prints, photographs, drawings and paintings; they add together to the overall relaxed feel of her living room.
Pictures hang neatly on the white panelled wall of Anne Massie's back porch. They add together a lovely sense of symmetry to the eclectic room.
Pictures are hung around the door of the library in Anne Massie's Virginia home. They bring lite and colour to the otherwise dark, woods panelled room.
Andrew Montgomery
A chic drove of monochromatic art in slim black, white and wood frames, hangs in the house of sculptor William Pye. When arranging pictures of dissimilar shapes, sizes and subject affair, clustering them together in an informal configuration is frequently best. Brand sure the spaces between the frames are even and balanced. Put larger or landscape pictures at the height, and arrange so the horizontal and vertical planes betwixt them are linear.
Jake Curtis
Mix and match pictures with other elements - similar fourth-generation Parisian art dealer Patrick Perrin (founder of the PAD fine art fair). The walls of his apartment (which has been in his family for the better office of a century) are filled with inherited treasures and his ain collection of curiosities. Hither he has mixed old frames with turtle shells.
Paul Massey
The owner of this apartment spotted this set of Gary Hume prints at a Louis Vuitton fashion show and immediately bought the lot. Interior designer Paolo Moschino opted for white frames to sit within white panelling to show these colourful works to their fullest reward.
Paul Massey
Maps look fantastic in frames. This huge example in a Dartmoor firm past designer Guy Goodfellow has been neatly cut into sections spanning floor to ceiling, taking on a similar expect to a mural or finely patterned wallpaper. Symmetry is key to getting this wait right. Make sure the gaps between your pictures are scrupulously fifty-fifty.
Paul Massey
Re-create designer and architect Guy Goodfellow and start with a piece of article of furniture as your guide; accenting its place in the firm by surrounding information technology with fine art to create a tableau.
Paul Massey
If yous lack wall infinite, or simply don't desire to put holes in your wall, stacking pictures tin be every bit effective a decorative technique as hanging; equally demonstrated past these canvases on the kitchen worktop of artist Craig Hanna'due south Paris flat.
Sarah Hogan
The narrow sliver of wall next to a door can be the perfect place to display art. This configuration of ornate gold frames in graduated size, is a elementary, timless formation.
Simon Dark-brown
Pretty botanical pictures, hung in symmetrical rows, gently bring out the green accents in the upholstery. If you lot like the look of these, check out the 'Hubbard Flower Grid' by Natural Curiosities. A mix and match collection of 120 dissimilar flower illustrations by Cyril E.B. Hubbard.
Simon Dark-brown
Designer Christopher Leach has covered this landing dado-to-ceiling with eighteenth-century prints. To assemble the drove he sought out the services of antiquarian impress specialists Isaac and Ede, whom he at present swears by. 'It was like putting together a library; David Isaac plotted out exactly what would fit. It's a consummate mix of things, from some good Hogarths to others worth little more than £v.'
Simon Brown
This collection of prints of London was commissioned by the owners and hang in a hit formation in a higher place the stairs, accentuating the architecture of the house.
Simon Brownish
Oka founder Annabel Astor'southward drawing room walls are painted in Farrow & Ball'south 'Light Blueish', on superlative of which hangs a big collection of pictures and family portraits, arranged both within and on superlative of the room's panelling in verticle rows.
Tim Beddow
This Chelsea study was redesigned by Paolo Moschino using a bold striped paper from Ralph Lauren Domicile - a surprisingly perfect properties for the cool greys of these eighteenth-century prints.
Adrian Brisco
Stacked on a long nineteenth-century sideboard from Robert Shackleton (020-7377 5550), House & Garden ornament editor Gabby Deeming has used abstract prints by (from left) Simon Carter, Mary Fedden, Ben Nicholson, and Terry Frost, arranged in a graduating lodge that echoes the slant of the room'south depression roof.
Lucas Allen
In interior designer Hugh Leslie's hallway, two paintings by Alvaro Guevara grouped asymmetrically, are the perfect foil to his drove of archetype mid-twentieth century furniture; including a carved Edwin Lutyens table and a Hans Wegner armchair. Although a room full of significant pieces, which could and then easily look museum-like, the arrangement of the objects and art gives a feeling of relaxation and welcome.
In her flat - her home for the by 25 years - designer Jane Taylor has employed a number of clever space-saving devices, to turn a potentially awkward space into a smart, comfortable interior. Her dwelling, which she shares with her husband Simon and their son Henry is a typical Edwardian mansion block in Chelsea. Although they are purpose-designed, they're often an bad-mannered shape and far deeper than they are wide. Her entrance door opens into a long, high and potentially rather gloomy corridor that connects the front rooms to the back. Jane has enlivened information technology with pictures.
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